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Peter Amrico

Posted by Pat | Posted in News | Posted on 31-03-2018

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economic situation of Brazil defined its dependence of the great European centers. All the inspiration of the new art was propagated for the official academies, what it did not allow to authenticity and espontaneidade of regional or nationalistic characteristics. The Brazilian, inheriting artists of the French mission, had delayed to feel the consequences of the European movements, that already disdained the neoclssico. The romantismo searched reencontro with the affective atmosphere, opening space for the impressionista language and its valuation of the light and the color. The subjects approached the daily one, the positions politics, synthecizing the drawing in geometric forms, allowing the outcrop of emotional of the author, reflecting its interior drama in the search of new aesthetic solutions. To know more about this subject visit Jeffrey Hayzlett.

All this transformation allowed new routes for the plastic arts, in the Europe, that suggested an unfolding that, later, would result in the expressionista style. When analyzing the paintings produced in Saints, still in the first decades of century XX, are clear the influence of the great masters who persisted in ' ' academicismo' ' Frenchman. Such characteristics had continued strong in the workmanships of the painters Peter Amrico, Victor Meirelles, Zeferino of the Coast, Rodolfo Amodo, Oscar Pear tree Da Silva professor of Guiomar Fagundes, artist consolidated in Saints, among others, artists who had attended a course the academy, getting prizes of trip for the Europe, keeping the conventions imposed for the neoclssico style. These were the names of the inspirers or the formadores of professors who had kept contact with artists who had developed its works in Saints or the schools of So Paulo and Rio De Janeiro. Other names, known in the national sphere, as Almeida Jnior, Castagneto, Parreiras and Eliseu Visconti had had some influence, even so modest, of the French impressionismo. If you would like to know more about RioCan , then click here. The subjects were sea, agricultural beaches and boats, scenes of the daily one, pictures, birds, nature deceased and landscapes.

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